How many lenses do you actually need? Fewer than you think.
Most Sony shooters need two or three lenses, not ten. Start with one standard zoom that covers about 24 to 70mm; add a fast prime such as a 50mm or 85mm for portraits and low light; add a telephoto only if you shoot sport, events or wildlife. Skyorbits carries more than 110 lenses for the Sony E mount — from Sony and from Sigma, Tamron, Viltrox, Sirui, Samyang, Thypoch, TTArtisan and Laowa. This guide sorts them by what you want to shoot: everyday zooms, wide angles, portraits, telephotos, macro, lenses made for Sony's smaller APS-C cameras, and cine lenses for video. Each lens gets one line on what it does best and one on who it suits. Sony's G Master (GM) lenses sit at the top of its range; third-party lenses add more choices for every job. Prices and live availability are on each product page.
Last updated: 11 October 2026 · Prices and availability on each product page · Specs from each maker's official site
The short answer
- First lens: a standard zoom — the Sony FE 24-70mm F2.8 GM II, or the Sony FE 24-105mm F4 G OSS for more reach.
- Second lens: a fast prime — a Sony 50mm F1.8 or 85mm F1.8 to start; G Master or Sigma Art to go further.
- Third lens, only if you need it: a 70-200mm for events and sport, or a 200-600mm for birds and wildlife.
Full-frame or APS-C — which lenses fit your camera?
Sony's full-frame cameras (a7, a7R, a7S, a1, a9, FX3) and its smaller APS-C cameras (a6400, a6700, ZV-E10, FX30) all use the same E mount. Full-frame (FE) lenses work on both; on APS-C they frame tighter, roughly like 1.5 times the focal length. APS-C lenses (marked E, DC or APS-C) are made for the smaller sensor; on a full-frame body the camera switches to an APS-C crop.
G Master, G and the third-party lines
Sony sorts its lenses into tiers: G Master (GM) is its top line, G is the step below, and lenses with neither badge make up its standard range. Sigma also uses three lines — Art (optical quality first), Contemporary (smaller and lighter) and Sports (long lenses for action). Tamron, Viltrox, Sirui, Samyang, Thypoch, TTArtisan and Laowa each make lenses built for the Sony E mount. A higher tier usually means better optics and build; a third-party lens is the right choice when it is brighter, lighter or simply a better fit for how you shoot.
One lens for most things — standard zooms
If you only buy one: the Sony FE 24-70mm F2.8 GM II, or the Sigma 24-70mm F2.8 DG DN II Art for the same range. Want one lens for trips? The Sigma 20-200mm or the Tamron 25-200mm.
| Lens | Best at | For whom |
|---|---|---|
| Sony FE 24-70mm F2.8 GM II | Sharp f/2.8 zoom for almost everything | Weddings, events, travel and photo-plus-video work |
| Sony FE 24-105mm F4 G OSS | Longer reach to 105mm, with stabilisation | Travel and everyday shooters who want one lens on the camera |
| Sony FE 28-70mm F2 GM | f/2 across the whole zoom — a full stop brighter than f/2.8 | Wedding and event shooters in dim halls |
| Sony FE 24-50mm F2.8 G | A small f/2.8 zoom that keeps the camera light | Everyday carry, street and family outings |
| Sony FE PZ 28-135mm F4 G OSS | Power zoom at a constant f/4 for smooth video zooms | Videographers filming events, interviews and documentaries |
| Sigma 24-70mm F2.8 DG DN II Art | Sigma's f/2.8 standard zoom for Sony | Anyone who wants a 24-70 f/2.8 beside Sony's GM II |
| Sigma 28-70mm F2.8 DG DN Contemporary | f/2.8 zoom from Sigma's light Contemporary line | Travellers and creators who want f/2.8 in a small lens |
| Sigma 28-105mm F2.8 DG DN Art | f/2.8 all the way to 105mm | Event shooters who want portrait reach without a lens change |
| Sigma 20-60mm F2.8-4 DG Contemporary | Starts wider, at 20mm, in a compact zoom | Travel, interiors and vlogging |
| Sigma 28-45mm F1.8 DG DN Art | A zoom at f/1.8 — prime-like light in one lens | Wedding and low-light shooters who carry several primes |
| Sigma 20-200mm F3.5-6.3 DG Contemporary | One lens from 20mm wide to 200mm telephoto | Travellers who never want to change lenses |
| Tamron 25-200mm F2.8-5.6 Di III VXD G2 | Wide-to-telephoto travel zoom that starts at f/2.8 | Family trips and travel with one lens |
| Tamron 35-100mm F2.8 Di III VXD | f/2.8 from 35 to 100mm | Portraits and events — everyday to portrait in one zoom |
| Thypoch Voyager 24-50mm F2.8 | Autofocus 24-50mm at f/2.8 | Everyday shooters who want an f/2.8 zoom |
Wide — landscapes, interiors, the night sky and vlogging
If you only buy one: the Sony FE 16-35mm F2.8 GM II for landscapes and events; for the night sky, a bright prime such as the Sony FE 14mm F1.8 GM or the Sigma 14mm F1.4 DG DN Art.
| Lens | Best at | For whom |
|---|---|---|
| Sony FE 12-24mm F2.8 GM | Ultra-wide zoom at f/2.8 | Interiors, architecture and night landscapes |
| Sony FE 14mm F1.8 GM | Ultra-wide f/1.8 prime for the night sky | Astro and landscape photographers |
| Sony FE 16-35mm F2.8 GM II | Sony's f/2.8 wide zoom | Landscapes, real estate and wide event shots |
| Sony Vario-Tessar T* FE 16-35mm F4 ZA OSS | Wide zoom at f/4 with stabilisation | Travel and landscape shooters working in daylight |
| Sony FE 16-25mm F2.8 G | Small f/2.8 wide zoom | Vloggers and travellers who want wide in a light lens |
| Sony FE 20mm F1.8 G | Bright 20mm prime | Vlogging, astro and indoor video |
| Sony FE 24mm F1.4 GM | 24mm at f/1.4 | Night landscapes, portraits with the place, and street |
| Sigma 14-24mm F2.8 DG DN Art | Ultra-wide f/2.8 zoom from Sigma's Art line | Landscapes, astro and architecture |
| Sigma 14mm F1.4 DG DN Art | 14mm at f/1.4 — very bright for an ultra-wide | Astrophotographers who want the most light |
| Sigma 15mm F1.4 DG DN Diagonal Fisheye Art | Fisheye view with a curved, dramatic look | Creative shots, action sports and the night sky |
| Sigma 20mm F1.4 DG DN Art | 20mm at f/1.4 | Astro, interiors and low-light vlogging |
| Sigma 24mm F1.4 DG DN Art | 24mm at f/1.4 from Sigma's Art line | Night street, landscapes and wide portraits |
| Laowa 10mm F2.8 Zero-D FF AF | 10mm on full frame, with autofocus and low distortion (Zero-D) | Architecture and dramatic wide shots |
| Viltrox AF 20mm F2.8 FE | A light 20mm autofocus prime | Vloggers and travellers who want a small wide lens |
| Samyang AF 18mm F2.8 FE | A tiny 18mm autofocus lens | Vlogging and travel with a small camera |
Portraits and everyday primes — soft backgrounds and low light
If you only buy one: start with the Sony FE 50mm F1.8 or 85mm F1.8; step up to the Sony FE 85mm F1.4 GM II or the Sigma 85mm F1.4 DG DN Art for professional portraits.
| Lens | Best at | For whom |
|---|---|---|
| Sony FE 85mm F1.8 | A light 85mm portrait lens | Your first portrait lens |
| Sony FE 85mm F1.4 GM II | Second-generation G Master 85mm at f/1.4 | Wedding and portrait professionals |
| Sony FE 85mm F1.4 GM | First-generation G Master 85mm at f/1.4 | Portrait shooters who want G Master rendering |
| Sony FE 35mm F1.4 GM | 35mm at f/1.4 — an everyday view with a soft background | Street, documentary and everyday life |
| Sony FE 35mm F1.8 | A light everyday 35mm | Moving up from a kit lens |
| Sony FE 50mm F1.4 GM | 50mm at f/1.4 from the G Master line | Portraits and natural-light photography |
| Sony FE 50mm F1.8 | The classic first prime | Beginners who want a soft background |
| Sony FE 50-150mm F2 GM | A zoom at f/2 from 50 to 150mm | Wedding and event shooters who want prime-like light in a zoom |
| Sigma 85mm F1.2 DG Art | 85mm at f/1.2 — a very shallow depth of field | Portrait shooters who want the softest background |
| Sigma 85mm F1.4 DG DN Art | 85mm at f/1.4 from Sigma's Art line | Portraits and headshots |
| Sigma 135mm F1.4 DG Art | 135mm at f/1.4 | Portraits from a distance with strong background blur |
| Sigma 50mm F1.2 DG DN Art | 50mm at f/1.2 | Low light and portraits |
| Sigma 50mm F1.4 DG DN Art | 50mm at f/1.4 from Sigma's Art line | Everyday portraits and food |
| Sigma 50mm F2 DG Contemporary | A small 50mm from the Contemporary line | Travel and street |
| Sigma 35mm F1.4 DG II Art | Second-generation 35mm f/1.4 Art | Documentary, weddings and street |
| Sigma 35mm F1.4 DG DN Art | 35mm at f/1.4 from Sigma's Art line | Everyday and low-light shooting |
| Sigma 35mm F2 DG Contemporary | A small 35mm from the Contemporary line | Street and travel |
| Sigma 65mm F2 DG DN Contemporary | 65mm — between a 50 and an 85 | Half-body portraits and street |
| Sigma 90mm F2.8 DG DN Contemporary | A small 90mm short telephoto | Portraits and details when travelling light |
| Viltrox AF 85mm F1.4 Pro FE | 85mm at f/1.4 from Viltrox's Pro line | Portrait shooters |
| Viltrox AF 35mm F1.2 LAB FE | 35mm at f/1.2 | Low light, street at night and video |
| Viltrox AF 35mm F1.8 II FE | An everyday 35mm at f/1.8 | Moving up from a kit lens |
| Viltrox AF 28mm F4.5 FE | A thin pancake 28mm | Street and pocketable everyday carry |
| Sirui Aurora 35mm F1.4 | 35mm at f/1.4 for full frame | Everyday and low-light shooting |
| Sirui Aurora 85mm F1.4 AF | 85mm at f/1.4 with autofocus | Portraits |
| TTArtisan AF 35mm F1.8 | Autofocus 35mm at f/1.8 | A first prime for everyday shooting |
Sport, events and wildlife — telephoto
If you only buy one: a 70-200mm — the Sony FE 70-200mm F2.8 GM OSS II or the Sigma 70-200mm F2.8 DG DN OS Sports — for events and sport; a 200-600mm for birds and wildlife.
“Despite its super-telephoto reach of up to 400mm, the lens stays compact and lightweight, weighing just 654g (approx.).”
| Lens | Best at | For whom |
|---|---|---|
| Sony FE 70-200mm F2.8 GM OSS II | The f/2.8 telephoto zoom for events and sport | Weddings, stage events and indoor sport |
| Sony FE 70-200mm F4 Macro G OSS II | 70-200mm at f/4 that also focuses close | Travel, outdoor events and close-up details |
| Sony FE 100-400mm F4.5-5.6 GM OSS | The original 100-400mm G Master | Wildlife, motorsport and field sport |
| Sony FE 100-400mm F4.5 GM OSS | Constant f/4.5 all the way to 400mm, with an internal zoom | Professional sport and wildlife shooters |
| Sony FE 100-400mm F5.6-8 OSS | 400mm reach in a light lens — about 654 g, says Sony | Hobbyists starting wildlife and sport |
| Sony FE 200-600mm F5.6-6.3 G OSS | Reach to 600mm | Birds and wildlife |
| Sony FE 400-800mm F6.3-8 G OSS | Reach to 800mm | Birds and distant subjects |
| Sony FE 300mm F2.8 GM OSS | 300mm at f/2.8 | Professional stadium sport |
| Sigma 70-200mm F2.8 DG DN OS Sports | f/2.8 telephoto zoom from Sigma's Sports line | Events, weddings and sport |
| Sigma 100-400mm F5-6.3 DG DN OS Contemporary | 100-400mm in Sigma's light Contemporary line | Hobby wildlife and sport |
| Sigma 150-600mm F5-6.3 DG DN OS Sports | Reach to 600mm | Birds and wildlife |
| Sigma 300-600mm F4 DG OS Sports | Constant f/4 all the way to 600mm | Professional wildlife and sport |
| Sigma 500mm F5.6 DG DN OS Sports | A 500mm prime | Birds and wildlife |
| Sigma 200mm F2 DG OS Sports | 200mm at f/2 | Indoor sport and portraits |
| Tamron 50-300mm F4.5-6.3 Di III VC VXD | 50 to 300mm in one zoom, with stabilisation (VC) | Travel, kids' sport and desert trips |
Macro — products, jewellery, insects and dental work
If you only buy one: the Sony FE 90mm F2.8 Macro G OSS — macro and portraits in one lens.
| Lens | Best at | For whom |
|---|---|---|
| Sony FE 90mm F2.8 Macro G OSS | Life-size macro, and a good portrait length | Product, jewellery and nature close-ups |
| Sony FE 100mm F2.8 Macro GM OSS | Macro from the G Master line | Professional product and nature macro |
| Sigma 105mm F2.8 DG DN Macro Art | 105mm macro from Sigma's Art line | Products, insects and dental photography |
| TTArtisan 100mm F2.8 Macro 2X | Up to 2x magnification | Macro fans who want the tiniest details |
Lenses for Sony APS-C cameras (a6400, a6700, ZV-E10, FX30)
If you only buy one: the Sigma 18-50mm F2.8 DC DN to replace the kit lens; add a Sigma or Viltrox f/1.4 prime for portraits and low light. Every full-frame lens above also fits these cameras.
| Lens | Best at | For whom |
|---|---|---|
| Sony E PZ 18-105mm F4 G OSS | Power zoom at a constant f/4, with stabilisation | Video on APS-C bodies and the FX30 |
| Sony E PZ 18-110mm F4 G OSS | A long power zoom for professional video | Event and documentary video on the FX30 |
| Sigma 12mm F1.4 DC Contemporary | Ultra-wide at f/1.4 for APS-C | Vlogging, astro and interiors |
| Sigma 15mm F1.4 DC Contemporary | Wide at f/1.4 for APS-C | Vlogging and low-light video |
| Sigma 16mm F1.4 DC DN Contemporary | A wide f/1.4 prime | Vlogging and walk-around video |
| Sigma 23mm F1.4 DC DN Contemporary | An everyday view at f/1.4 | Street and daily life |
| Sigma 30mm F1.4 DC DN Contemporary | A normal view at f/1.4 | Portraits and low light |
| Sigma 17-40mm F1.8 DC Art | A zoom at f/1.8 for APS-C | Creators who want prime-like light in one zoom |
| Sigma 18-50mm F2.8 DC DN Contemporary | A small f/2.8 standard zoom | Replacing the kit lens |
| Sigma 16-300mm F3.5-6.7 DC OS Contemporary | 16 to 300mm in one lens, with stabilisation | Travel with one lens |
| Tamron 17-70mm F2.8 Di III-A VC RXD | An f/2.8 zoom with stabilisation (VC) | Video and everyday shooting on the a6400 and a6700 |
| Viltrox AIR AF 9mm F2.8 | A very wide 9mm | Vlogging, rooms and travel |
| Viltrox AIR AF 15mm F1.7 | Wide at f/1.7 | Vlogging |
| Viltrox AIR AF 25mm F1.7 | A normal view at f/1.7 | Everyday shooting |
| Viltrox AF 33mm F1.4 | 33mm at f/1.4 | Everyday and low light |
| Viltrox AF 35mm F1.7 | A compact normal prime | Street and food |
| Viltrox AF 56mm F1.4 | Portrait length at f/1.4 | Portraits on APS-C |
| Viltrox AIR AF 56mm F1.7 | A light portrait prime | Portraits |
| Sirui Sniper 16mm F1.2 | Wide at f/1.2 | Low-light video |
| Sirui Sniper 75mm F1.2 | A portrait lens at f/1.2 | Portraits with strong background blur |
| TTArtisan 10mm F2 | An ultra-wide manual-focus lens | Landscapes and the night sky |
Video and cinema — cine primes and anamorphic
Cine lenses are marked in T-stops and built for video work on the FX3, FX30 and other Sony bodies. For the whole Sirui range, read our two Sirui guides below.
| Lens | Best at | For whom |
|---|---|---|
| Samyang Cine V-AF 35mm T1.9 FE | An autofocus cine prime at T1.9 | Video shooters on gimbals and small rigs |
| Samyang Cine V-AF 75mm T1.9 FE | An autofocus cine prime at T1.9 | Video shooters on gimbals and small rigs |
| Samyang Cine V-AF 100mm T2.3 FE | An autofocus cine prime at T2.3 | Interviews and close-ups on video |
| Sirui 20mm T1.8 1.33x S35 AF Anamorphic | Autofocus 1.33x anamorphic for Super 35 | Filmmakers on the FX30 and APS-C bodies |
| Sirui 40mm T1.8 1.33x S35 AF Anamorphic | Autofocus 1.33x anamorphic for Super 35 | Filmmakers on the FX30 and APS-C bodies |
| Sirui Astra 50mm T1.8 1.33x Anamorphic | Full-frame 1.33x anamorphic | Filmmakers on the FX3 and full-frame bodies |
| Sirui Astra 75mm T1.8 1.33x Anamorphic | Full-frame 1.33x anamorphic | Filmmakers on the FX3 and full-frame bodies |
| Sirui Astra 100mm T1.8 1.33x Anamorphic | Full-frame 1.33x anamorphic | Filmmakers on the FX3 and full-frame bodies |
| Sirui Night Walker 24mm T1.2 | A T1.2 cine prime | Low-light filmmaking |
| Sirui Night Walker 35mm T1.2 | A T1.2 cine prime | Low-light filmmaking |
| Sirui Night Walker 55mm T1.2 | A T1.2 cine prime | Low-light filmmaking |
| Sirui Night Walker 75mm T1.2 | A T1.2 cine prime | Low-light filmmaking |
| Sirui Night Walker 24/35/55mm T1.2 Set | Three T1.2 cine primes in one set | Filmmakers building a matched kit |
| Sirui Vision Prime 15mm T1.6 | A wide T1.6 cine prime | Wide shots in film work |
| Sirui Vision Prime 35mm T1.4 | A T1.4 cine prime | Filmmakers building a cine kit |
| Sirui Vision Prime 50mm T1.4 | A T1.4 cine prime | Filmmakers building a cine kit |
| Sirui Vision Prime 75mm T1.4 | A T1.4 cine prime | Filmmakers building a cine kit |
| Sirui Vision Prime 150mm T4 Macro | A 150mm cine macro | Product and detail shots on video |
| Thypoch Simera-C 35mm T1.5 | A T1.5 cine prime | Filmmakers building a cine kit |
| Thypoch Simera-C 50mm T1.5 | A T1.5 cine prime | Filmmakers building a cine kit |
- Sirui lenses at Skyorbits — which family fits your camera?
- What is an anamorphic lens? Sirui 40mm vs Astra 50mm
Extras that change what a lens can do
Teleconverters fit only Sony's compatible telephoto lenses — check Sony's list for your lens before you buy.
| Lens | Best at | For whom |
|---|---|---|
| Sony FE 1.4x Teleconverter | 1.4x more reach | Owners of compatible Sony telephoto lenses |
| Sony FE 2x Teleconverter | Twice the reach | Owners of compatible Sony telephoto lenses |
| K&F Concept EF/EF-S to E autofocus adapter | Canon EF/EF-S lenses on Sony E, with autofocus | Photographers moving from a Canon DSLR |
Try before you buy
Not sure which lens fits your camera or the way you shoot? Visit our Al Khoud showroom (Al Khoud Oasis Complex, shop 103), or message us first and we will check which lenses are in.
Frequently asked questions
Which Sony lens should I buy first?
A standard zoom: the Sony FE 24-70mm F2.8 GM II if you shoot events and paid work, or the Sony FE 24-105mm F4 G OSS for travel and everyday reach. For a small, simple start, a 50mm F1.8 prime gives a soft background and works well in low light.
Do Sigma, Tamron and Viltrox lenses autofocus on Sony cameras?
Yes — the autofocus lenses in this guide are made for the Sony E mount and focus automatically on Sony bodies. Manual-focus lenses, such as the TTArtisan 10mm F2 and some cine lenses, do not. For your exact camera, check the lens maker's compatibility list.
Can I use a full-frame lens on my APS-C Sony camera?
Yes. FE lenses fit and work on APS-C bodies such as the a6700, ZV-E10 and FX30. The picture looks about 1.5 times tighter, so a 50mm lens frames like a 75mm.
Can I use an APS-C lens on a full-frame Sony camera?
Yes. The lens fits, and the camera switches to an APS-C crop, so it uses a smaller part of the sensor and you get fewer megapixels.
What is the difference between Sony G Master, G and other Sony lenses?
G Master (GM) is Sony's top line, made for the highest resolution and the smoothest background blur. G is the step below. Lenses without either badge are Sony's standard range, usually smaller and simpler.
What do Art, Contemporary and Sports mean on Sigma lenses?
They are Sigma's three lines. Art puts optical quality first, Contemporary keeps lenses smaller and lighter, and Sports covers long lenses built for action and wildlife.
Where can I see the price and availability?
On each lens's product page. Prices there include VAT; delivery is not included. Each product page shows live availability.
Can I pay in installments?
Yes. In-house installments for Omani nationals aged 18 or over, on carts from 200.000 OMR, with management approval — you apply at checkout. Everyone else can use a Bank Muscat or Meethaq credit-card plan.
Where can I try a lens in Muscat?
At our Al Khoud showroom (Al Khoud Oasis Complex, shop 103). Message us on WhatsApp first and we will check which lenses are in.